Wednesday 6 June 2012

(EN) Ray Bradbury

Ray Bradbury, writer who captivated a generation of sci-fi fans, dies at 91

Giant of science fiction writing fueled renewed interest in futurist literature with Fahrenheit 451 among scores of other works
Ray Bradbury
Ray Bradbury, pictured here in an undated photo

Despite the exhortations of Mr Electrico, a carnival sideshow act with an electrified sword who demanded that a 12-year-old Ray Bradbury "live forever!", one of the most well-loved and highly-regarded modern writers of the fantastic has died.
At 91, though, he left a body of work that might just fulfil the prophecy of that showman in Waukegan, Illinois, in 1932.
One of the most widely read authors of his generation, Bradbury published a string of titles in the early 1950s – The Martian Chronicles, The Illustrated Man and Fahrenheit 451 – that captured the political fears of a generation and fueled renewed interest in futurist literature.
His most famous work, Fahrenheit 451, named for a proposed temperature at which books combust, imagines a golden age of war and ignorance in which "firemen" burn books instead of putting out fires. Ever since its publication in 1953, the book has been a mainstay of high school English syllabuses.
The news of his death, in southern California, was broken by the sci-fi news website Io9. It quoted his grandson, Danny Karapetian, as saying: "If I had to make any statement, it would be how much I love and miss him, and I look forward to hearing everyone's memories about him. He influenced so many artists, writers, teachers, scientists, and it's always really touching and comforting to hear their stories. Your stories.
"His legacy lives on in his monumental body of books, film, television and theater, but more importantly, in the minds and hearts of anyone who read him, because to read him was to know him. He was the biggest kid I know."
It was Bradbury's encounter at that Labor Day carnival in his home town that set him on the path of becoming a writer, and laid the groundwork for his unique brand of sometimes creepy, sometimes folksy, often slyly subversive fantastical Americana of whispering winds, sinister circuses, fretting about modern life and how humanity copes – or not – with relocating to distant worlds.
After being told by Mr Electrico that he was the reincarnation of the showman's friend who died in France in the Great War, Bradbury ruminated on his website in 2001: "Why did he say that? I don't know. Was there something in my eagerness, my passion for life, my being ready for some sort of new activity? I don't know the answer to that. All I know is that he said, "Live forever" and gave me a future and in doing so, gave me a past many years before, when his friend died in France.
"Leaving the carnival grounds that day I stood by the carousel and watched the horses go round and round to the music of Beautiful Ohio. Standing there, the tears poured down my face, for I felt that something strange and wonderful had happened to me because of my encounter with Mr Electrico.
"I went home and the next day traveled to Arizona with my folks. When we arrived there a few days later I began to write, full-time. I have written every single day of my life since that day 69 years ago."
Bradbury was born in 1920 in Waukegan, Illinois, moving with his family to Los Angeles as a teenager. His first collection of short stories, Dark Carnival, was published in 1947. His best known books were published in the early 1950s. He has a star on the Hollywood walk of fame.
In addition to novels, Bradbury wrote screenplays and scripts for TV shows such as Alfred Hitchcock Presents and The Twilight Zone.
In 1954, Bradbury received the National Institute of Arts and Letters Award. He was awarded a National Medal of Art by President George W Bush in 2004. He received the O Henry Prize twice and a National Book Foundation medal. He won an Emmy for scripting the Halloween Tree for television.
Bradbury published an essay last week in the New Yorker about what inspired him to write fiction.
He wrote: "I memorized all of John Carter and Tarzan, and sat on my grandparents' front lawn repeating the stories to anyone who would sit and listen. I would go out to that lawn on summer nights and reach up to the red light of Mars and say, 'Take me home!'
"I yearned to fly away and land there in the strange dusts that blew over dead-sea bottoms toward the ancient cities."
Karapetian noted a particular line written by his grandfather about death. He told Io9: "If you're looking for any single passage to remember him by, I just picked up my copy of The Illustrated Man, my favorite of his books. The introduction is entitled 'Dancing, So As Not to Be Dead,' and there are some great lines about death. My favorite:
"My tunes and numbers are here. They have filled my years, the years when I refused to die. And in order to do that I wrote, I wrote, I wrote, at noon or 3am.
"So as not to be dead.'"
• This article was amended on 6 June 2012. The original erroneously described how, in Fahrenheit 451, "firefighters" burn books instead of putting out fires. This has been corrected to say: "firemen".

(EN) Transit of Venus

Transit of Venus captures the imagination of a worldwide audience

This year's transit of Venus was an international social event, with millions in the UK also watching a BBC Horizon special






At 5:45am (BST) on Tuesday morning, the clouds above Blackheath in London parted and the assembled group of amateur astronomers quickly pointed their telescopes at the Sun. A well-ordered queue of around 100 people went in for a close look at the black disc of Venus sliding across the face of our nearest star. The planet had been transiting for the previous six hours and these were the last few minutes. By 5:50am it was all over.
"This was a chance to see the mechanism of the heavens in action in a way that you really don't see very often," said Marek Kukula, public astronomer at the Royal Greenwich Observatory in London, who helped organise a public viewing of the transit of Venus in Blackheath with the local Flamsteed Astronomical Society.
"And it was a chance to do something as a community. Even when we thought we weren't going to see it, when the clouds were resolutely there, there was a great sense of everybody out there making an effort together. Even if we hadn't seen it, we would have felt it was worth getting up at four in the morning. So, just to catch it literally minutes before it was over was a fantastic bonus."
Last night's transit of Venus was an international social event. Tens of thousands of words and scores of graphics on dozens of websites and in newspapers and magazines had prepared the ground for people around the world to take part in viewing this once-in-a-lifetime event.


Transits of Venus occur in pairs - the last one happened in 2004 and the next pair will not appear until 2117 and 2125. Around the world, the buildup to take part in something so rare was palpable: people tweeted their plans to watch the transit and organised themselves into local groups, they advised each other about the safest ways to take part and quizzed scientists about the things transits can tell us about exoplanets and other heavenly mysteries.
On Tuesday night around 2.4m people in the UK tuned into BBC2 to watch a Horizon special on the science of the transit - a respectable audience for a science programme up against the live launch of Big Brother on Channel 5 (which had 2.7m viewers). A further 1.7m people were watching ITV at the time and 1.4m people were watching Channel 4.
As soon as the transit began at 11pm (BST) on Tuesday night, webcams from Nasa (and a myriad other places) showed live progress and Twitter and Facebook buzzed with newly taken pictures of the event as it unfolded.
Robert Massey of the Royal Astronomical Society, who managed to glimpse the transit from a windswept, cloud-covered hill in the Cotswolds, said that events such as the transit were powerful levers for creating interest in astronomy. "The vast majority of those people aren't going to go on to become research scientists, but one or two might have been adolescents who were wondering about science and perhaps this will spur them on."
Each of the transits in the past few centuries has similarly caught the public's imagination, said Kukula. "It's always been a bellwether of what the latest astronomical technology can do. In the 19th century, photography was just on the scene; in the 21st century, it's digital imaging and then the ease with which these can be distributed on the internet. We saw a little bit of that in 2004 but much more in 2012. The other thing is that we can take pictures of it not just from the Earth but from space as well and that's where some of the most spectacular images have come from."
Massey said the technology would continue to improve. Who knows, he added, perhaps amateur astronomers will routinely control telescopes in space by 2117 and professional scientific missions might see people flying ever closer to the Sun itself.
"I was up at 11pm last night to watch it start from the internet," said Kukula. "You can watch it live, you can watch it from the other side of the world, how cool is that? Captain Cook would have given his right arm to do that."